AEsthetic Analysis |
Dall'interno del libro
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Pagina 8
his favorite music has some slight attention left for the comfort of his body and his
posture , some vague sense of the direction of exits , a degree of attention most
easily raised into prominence by any interference with his comfort by his ...
his favorite music has some slight attention left for the comfort of his body and his
posture , some vague sense of the direction of exits , a degree of attention most
easily raised into prominence by any interference with his comfort by his ...
Pagina 99
But doing this ( by whatever method , say merely pronouncing one — one ) if no
further indication is given , will inevitably be taken by our attention as indicating
not merely the interval between the two sounds , but also a second interval ...
But doing this ( by whatever method , say merely pronouncing one — one ) if no
further indication is given , will inevitably be taken by our attention as indicating
not merely the interval between the two sounds , but also a second interval ...
Pagina 147
Abstraction is involved in absorbed attention to a given content in two ways only ,
as its condition , which is previous activity making it capable of complete concrete
grasp in any given case , and secondly , as the dependence of any such ...
Abstraction is involved in absorbed attention to a given content in two ways only ,
as its condition , which is previous activity making it capable of complete concrete
grasp in any given case , and secondly , as the dependence of any such ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate æsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements emotional example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp human indicate individual intelligible intensity interest intervals intrinsic kind knowledge language least length less marked matter means measure merely names nature notes object obvious octave once organism particular pattern physical pitch possible present processes qualitative relations require response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface systematic taken temporal temporal pattern theory things tion Tonic variations verse vibration whole