AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 43
Pagina 79
... basic scale structure ; the nature of the pro- duction of a musical sound , with its partials , is another . And it is this natural selection out of an ordered continuum that offers those infinite structural possibilities that have been ...
... basic scale structure ; the nature of the pro- duction of a musical sound , with its partials , is another . And it is this natural selection out of an ordered continuum that offers those infinite structural possibilities that have been ...
Pagina 83
... basic patterns in the more regularly recognized kinds of intelligible form . For general æsthetic theory we must limit ourselves here . We can- not in any brief account , even if - impossibly— acquainted with all the works of all the ...
... basic patterns in the more regularly recognized kinds of intelligible form . For general æsthetic theory we must limit ourselves here . We can- not in any brief account , even if - impossibly— acquainted with all the works of all the ...
Pagina 92
... basic abstraction totally within the pitch order that constitutes the pattern of our musical scale . Spatial order and basic spatial patterns have been pretty fully recognized and used in analysis , though their fundamental nature has ...
... basic abstraction totally within the pitch order that constitutes the pattern of our musical scale . Spatial order and basic spatial patterns have been pretty fully recognized and used in analysis , though their fundamental nature has ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words