AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 47
Pagina 59
... basis of which works of art have been constructed . Moreover , artists have had to consider many non - æsthetic aspects of the physical media that are the bearers of asthetic form and quality . And æsthetics is forced into considering ...
... basis of which works of art have been constructed . Moreover , artists have had to consider many non - æsthetic aspects of the physical media that are the bearers of asthetic form and quality . And æsthetics is forced into considering ...
Pagina 79
... basis of a set of elements in intelligible qualitative order - an order , that is , within pitch as such that is as clear a structural basis as geometry . The fundamental pitch continuum is one necessary con- dition of this basic scale ...
... basis of a set of elements in intelligible qualitative order - an order , that is , within pitch as such that is as clear a structural basis as geometry . The fundamental pitch continuum is one necessary con- dition of this basic scale ...
Pagina 95
David Wight Prall. and difficult may appear simpler and clearer on a better theoretical basis . This objection has ... basis of its service to intelligibility in the arts , in the case at hand the intelligibility of the temporal aspect ...
David Wight Prall. and difficult may appear simpler and clearer on a better theoretical basis . This objection has ... basis of its service to intelligibility in the arts , in the case at hand the intelligibility of the temporal aspect ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words