AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 41
Pagina xvi
... becomes identified with becomes , so to speak , lost in the form . That we have been able to talk intelligibly for so long about a dualism between form and feeling , or the presence of one and the absence of the other , is due to our ...
... becomes identified with becomes , so to speak , lost in the form . That we have been able to talk intelligibly for so long about a dualism between form and feeling , or the presence of one and the absence of the other , is due to our ...
Pagina 54
... become purely formal as we have realized their abstractness in systematic analysis . There are no real but only nominal elements of space and time . But it takes very little meditation on the nature of pitch and hue to see that once we ...
... become purely formal as we have realized their abstractness in systematic analysis . There are no real but only nominal elements of space and time . But it takes very little meditation on the nature of pitch and hue to see that once we ...
Pagina 155
... become com- pletely and intelligibly any feeling at all , to become the in- tended full feeling only suggested in the artist's processes of experience and not defined until he has worked it out in his medium . The feeling is not ...
... become com- pletely and intelligibly any feeling at all , to become the in- tended full feeling only suggested in the artist's processes of experience and not defined until he has worked it out in his medium . The feeling is not ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words