AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 117
... blank verse is described as pentameter , suggesting that there is a division into five , a grouping that would be completely foreign to any traditional , natural time - pattern . This is the sort of misrepresentation of verse form that ...
... blank verse is described as pentameter , suggesting that there is a division into five , a grouping that would be completely foreign to any traditional , natural time - pattern . This is the sort of misrepresentation of verse form that ...
Pagina 125
... blank verse , for example , where prosodists con- stantly employ the notion of substitution as if there were a ... verse . Not every half - measure of three counts in a blank verse line is marked by a heavy accent , any more than every ...
... blank verse , for example , where prosodists con- stantly employ the notion of substitution as if there were a ... verse . Not every half - measure of three counts in a blank verse line is marked by a heavy accent , any more than every ...
Pagina 129
... blank verse , infinite numbers of he- roic couplets , fall into this pattern of three measures to the line , each measure divided into halves , and each half fur- ther divided into three counts . The scheme never requires accents on ...
... blank verse , infinite numbers of he- roic couplets , fall into this pattern of three measures to the line , each measure divided into halves , and each half fur- ther divided into three counts . The scheme never requires accents on ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words