AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 28
Pagina 17
... characteristic . And if sounds could not be relied on to have pitches , lying all of them at fixed points in the long line of pitch itself , there would be no way of following one sound by another in time and still having a distinct ...
... characteristic . And if sounds could not be relied on to have pitches , lying all of them at fixed points in the long line of pitch itself , there would be no way of following one sound by another in time and still having a distinct ...
Pagina 51
... characteristic , variations in hue are no more sig- nificant for color composition , no more characteristic of color design , than variations of saturation or of brightness . The order of the hues is cyclical , too , while the orders of ...
... characteristic , variations in hue are no more sig- nificant for color composition , no more characteristic of color design , than variations of saturation or of brightness . The order of the hues is cyclical , too , while the orders of ...
Pagina 52
... characteristic without reference explicitly to any scheme . But the ordinary scheme definitely includes it , and its name , instead of removing it from the scheme , fairly in- dicates its place there , provided we attend to its ...
... characteristic without reference explicitly to any scheme . But the ordinary scheme definitely includes it , and its name , instead of removing it from the scheme , fairly in- dicates its place there , provided we attend to its ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words