AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 16
... clear from this one sketchy example , where even our terms , such as full red , are used without clear definition , that colors do lie in ordered ranges , where we can speak of their qualitative dis- tances from one another . Out of ...
... clear from this one sketchy example , where even our terms , such as full red , are used without clear definition , that colors do lie in ordered ranges , where we can speak of their qualitative dis- tances from one another . Out of ...
Pagina 52
... clear , though ob- viously not at all adequate . As colors are spread over sur- faces , so notes are extended through time , and rhythm may enter into melody as distinctly as pitch itself , though a definite rhythmic beat may be ...
... clear , though ob- viously not at all adequate . As colors are spread over sur- faces , so notes are extended through time , and rhythm may enter into melody as distinctly as pitch itself , though a definite rhythmic beat may be ...
Pagina 64
... clearly the physical facts involved . But now that we know these facts in clear general outline , it becomes easy to see how , in the selection of the scale notes , human ears were guided by the nature of the physical conditions of ...
... clearly the physical facts involved . But now that we know these facts in clear general outline , it becomes easy to see how , in the selection of the scale notes , human ears were guided by the nature of the physical conditions of ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words