AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 59
Pagina 6
The one is taken in by us as a determinate rich , fragrant , rose - red , the other as
a hard , clear , red - lead red . Æsthetic surface is concretely had , directly and
fully experienced . It is not merely distinguished by one of the senses , but felt ...
The one is taken in by us as a determinate rich , fragrant , rose - red , the other as
a hard , clear , red - lead red . Æsthetic surface is concretely had , directly and
fully experienced . It is not merely distinguished by one of the senses , but felt ...
Pagina 16
But it must be clear from this one sketchy example , where even our terms , such
as full red , are used without clear definition , that colors do lie in ordered ranges ,
where we can speak of their qualitative distances from one another . Out of this ...
But it must be clear from this one sketchy example , where even our terms , such
as full red , are used without clear definition , that colors do lie in ordered ranges ,
where we can speak of their qualitative distances from one another . Out of this ...
Pagina 52
The parallel with music is still clear , though obviously not at all adequate . As
colors are spread over surfaces , so notes are extended through time , and
rhythm may enter into melody as distinctly as pitch itself , though a definite
rhythmic beat ...
The parallel with music is still clear , though obviously not at all adequate . As
colors are spread over surfaces , so notes are extended through time , and
rhythm may enter into melody as distinctly as pitch itself , though a definite
rhythmic beat ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate æsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements emotional example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp human indicate individual intelligible intensity interest intervals intrinsic kind knowledge language least length less marked matter means measure merely names nature notes object obvious octave once organism particular pattern physical pitch possible present processes qualitative relations require response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface systematic taken temporal temporal pattern theory things tion Tonic variations verse vibration whole