AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 60
Pagina 55
... clearly apprehended consists , upon analysis , of elements intrinsically ordered and also ordered spatially and temporally . The temporal cannot be present except as it attaches itself to what is qualitatively and spatially extended any ...
... clearly apprehended consists , upon analysis , of elements intrinsically ordered and also ordered spatially and temporally . The temporal cannot be present except as it attaches itself to what is qualitatively and spatially extended any ...
Pagina 95
... clearly stated , we have to offer as analysis nothing beyond two principles that every one assumes without question and has no need to study . These are ( 1 ) that is and is not are incompatible in a single simple assertion in ...
... clearly stated , we have to offer as analysis nothing beyond two principles that every one assumes without question and has no need to study . These are ( 1 ) that is and is not are incompatible in a single simple assertion in ...
Pagina 128
... clearly realized tem- poral measure and number . To find out whether the pres- ent scheme guides us adequately in reading classic Eng- lish verse , we must of course recognize the pattern itself clearly , and then read verse into the ...
... clearly realized tem- poral measure and number . To find out whether the pres- ent scheme guides us adequately in reading classic Eng- lish verse , we must of course recognize the pattern itself clearly , and then read verse into the ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words