AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 80
... color , for example , scales have been selected out of the intrinsic color orders , and variations memorized as at definite color intervals from one another , in specified color dimensions . But while the facts of harmony and contrast ...
... color , for example , scales have been selected out of the intrinsic color orders , and variations memorized as at definite color intervals from one another , in specified color dimensions . But while the facts of harmony and contrast ...
Pagina 81
... colors that lie far apart in hue or in one of the other color dimensions . But these are comparatively gross and unmeasured distinctions , especially as named in our far from systematic or complete color terms . So - called scaled ...
... colors that lie far apart in hue or in one of the other color dimensions . But these are comparatively gross and unmeasured distinctions , especially as named in our far from systematic or complete color terms . So - called scaled ...
Pagina 82
... color and color combinations as available pigments furnished , and as the colors given in nature upon objects — sky , leaves , flowers , flesh , jewels , fabrics - led them to recognize and to desire . It is equally plain that a great ...
... color and color combinations as available pigments furnished , and as the colors given in nature upon objects — sky , leaves , flowers , flesh , jewels , fabrics - led them to recognize and to desire . It is equally plain that a great ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words