AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 17
Pagina 51
... color variation lies determinately felt distance from others along any single dimension chosen . But it will be clear at once that the selection of scales of color variations is guided by relations peculiar to color and not strictly ...
... color variation lies determinately felt distance from others along any single dimension chosen . But it will be clear at once that the selection of scales of color variations is guided by relations peculiar to color and not strictly ...
Pagina 80
... color orders , and variations memorized as at definite color intervals from one another , in specified color dimensions . But while the facts of harmony and contrast , and hence of all color design as such , depend absolutely on the ...
... color orders , and variations memorized as at definite color intervals from one another , in specified color dimensions . But while the facts of harmony and contrast , and hence of all color design as such , depend absolutely on the ...
Pagina 81
... color variations much as many ears distinguish pitches - sometimes so exactly that the term absolute pitch is used as if it named a peculiar faculty instead of merely a high degree of discrimination in aural memory . For many of us it ...
... color variations much as many ears distinguish pitches - sometimes so exactly that the term absolute pitch is used as if it named a peculiar faculty instead of merely a high degree of discrimination in aural memory . For many of us it ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words