AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 30
David Wight Prall. complexes can be made into such complexes ; and only complexes of such elements can be intelligibly ... complex sonorities of great music . And it is with sharp perception of such isolated elements that the æsthetic ...
David Wight Prall. complexes can be made into such complexes ; and only complexes of such elements can be intelligibly ... complex sonorities of great music . And it is with sharp perception of such isolated elements that the æsthetic ...
Pagina 87
... complex , there is no complex present , no structural whole and hence no æsthetic surface at all . But Mr. Birkhoff's analysis of polygons should not , in fairness , be considered at this mere abstract level . It is enormously valuable ...
... complex , there is no complex present , no structural whole and hence no æsthetic surface at all . But Mr. Birkhoff's analysis of polygons should not , in fairness , be considered at this mere abstract level . It is enormously valuable ...
Pagina 167
... complex pattern of polygons inscribed and circumscribed , a diamond in a tall rectangle , circumscribed by a hexagon or an octagon , makes a clear , easily appre- hended design because all the subsidiary figures build themselves ...
... complex pattern of polygons inscribed and circumscribed , a diamond in a tall rectangle , circumscribed by a hexagon or an octagon , makes a clear , easily appre- hended design because all the subsidiary figures build themselves ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words