AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 9
... conscious or semi - conscious into what is distinguish- able as a qualitatively individualized object . When the heightening is emphatic ; when the aim of the experiencing activity is felt to be achieved in a vital process of receiv ...
... conscious or semi - conscious into what is distinguish- able as a qualitatively individualized object . When the heightening is emphatic ; when the aim of the experiencing activity is felt to be achieved in a vital process of receiv ...
Pagina 40
... consciously present . They have disappeared into physiological structures and habits of action . The expert , whether in mechanical operations or in mathematical investigations , can not keep his knowl- edge present in conscious content ...
... consciously present . They have disappeared into physiological structures and habits of action . The expert , whether in mechanical operations or in mathematical investigations , can not keep his knowl- edge present in conscious content ...
Pagina 62
... consciousness of what language the question was in , or reads a page and gets exactly its sense without being conscious of the words themselves or the sentences . Finally , what is intelligibly grasped may be totally describable in the ...
... consciousness of what language the question was in , or reads a page and gets exactly its sense without being conscious of the words themselves or the sentences . Finally , what is intelligibly grasped may be totally describable in the ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words