AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 27
... course choose some data to abstract from and to analyse , before we can articulate the principles of this choice . But if æsthetics is one of the broad regions of human experience , and not an esoteric cult , then a selec- tion of data ...
... course choose some data to abstract from and to analyse , before we can articulate the principles of this choice . But if æsthetics is one of the broad regions of human experience , and not an esoteric cult , then a selec- tion of data ...
Pagina 88
... course , about the many other aspects of spatial structure , nor about the scores of analogical and thoroughly muddled applications of the terms balance and symmetry and rhythm to temporal and qualitative structures and relations , and ...
... course , about the many other aspects of spatial structure , nor about the scores of analogical and thoroughly muddled applications of the terms balance and symmetry and rhythm to temporal and qualitative structures and relations , and ...
Pagina 111
... course helps to constitute so - called accent both in music and in verse . But high and low pitch in speech lie in a narrower range than in music , the instruments of music going far beyond human voices ; in speech the mere being ...
... course helps to constitute so - called accent both in music and in verse . But high and low pitch in speech lie in a narrower range than in music , the instruments of music going far beyond human voices ; in speech the mere being ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words