AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 27
Pagina 170
... criticism so char- acteristically falls . Not that criticism is as such useless , but that value judgments , if they are to be made at all , are not æsthetic understanding , and are irrelevant unless they follow such understanding . The ...
... criticism so char- acteristically falls . Not that criticism is as such useless , but that value judgments , if they are to be made at all , are not æsthetic understanding , and are irrelevant unless they follow such understanding . The ...
Pagina 184
... criticism . What it purports to criticize has perhaps not even been discerned . The critic has thought of and mentioned features that are not present in it , and he has also thought of a structural pattern that it does not fit , and ...
... criticism . What it purports to criticize has perhaps not even been discerned . The critic has thought of and mentioned features that are not present in it , and he has also thought of a structural pattern that it does not fit , and ...
Pagina 201
... criticism that makes valuable criticism one of the more difficult literary arts , and never merely a matter of learning names of qualita- tive standards and their degrees , and designating these in specific cases , any more than it is a ...
... criticism that makes valuable criticism one of the more difficult literary arts , and never merely a matter of learning names of qualita- tive standards and their degrees , and designating these in specific cases , any more than it is a ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words