AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 28
Pagina 33
... and other points of view , other foci for perspectives , offers the surest pro - .
tection from falsification . Such exclusion definitely acknowledges what is
excluded without prejudice to its nature or to THE BASIS OF ÆSTHETIC
ANALYSIS 33.
... and other points of view , other foci for perspectives , offers the surest pro - .
tection from falsification . Such exclusion definitely acknowledges what is
excluded without prejudice to its nature or to THE BASIS OF ÆSTHETIC
ANALYSIS 33.
Pagina 157
And we apprehend its offensiveness as directly and simply , and usually much
more definitely , than its exact shape and the details of color that mark , say , its
dilapidation . Some of these formal details we must have apprehended in it ...
And we apprehend its offensiveness as directly and simply , and usually much
more definitely , than its exact shape and the details of color that mark , say , its
dilapidation . Some of these formal details we must have apprehended in it ...
Pagina 203
Hence most of the clearly intelligible terms in both analysis and criticism refer as
definitely to matters of medium and technique as to strictly æsthetic content . The
æsthetic content , occurring as it does only upon a medium technically used ...
Hence most of the clearly intelligible terms in both analysis and criticism refer as
definitely to matters of medium and technique as to strictly æsthetic content . The
æsthetic content , occurring as it does only upon a medium technically used ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate æsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements emotional example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp human indicate individual intelligible intensity interest intervals intrinsic kind knowledge language least length less marked matter means measure merely names nature notes object obvious octave once organism particular pattern physical pitch possible present processes qualitative relations require response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface systematic taken temporal temporal pattern theory things tion Tonic variations verse vibration whole