AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 29
Pagina 33
... of view , other foci for perspectives , offers the surest pro- . tection from falsification . Such exclusion definitely ac- knowledges what is excluded without prejudice to its nature or THE BASIS OF AESTHETIC ANALYSIS 33.
... of view , other foci for perspectives , offers the surest pro- . tection from falsification . Such exclusion definitely ac- knowledges what is excluded without prejudice to its nature or THE BASIS OF AESTHETIC ANALYSIS 33.
Pagina 157
... definitely , than its exact shape and the details of color that mark , say , its dilapidation . Some of these formal details we must have apprehended in it , how- ever , if we apprehend the dilapidation at all . And unless we have ...
... definitely , than its exact shape and the details of color that mark , say , its dilapidation . Some of these formal details we must have apprehended in it , how- ever , if we apprehend the dilapidation at all . And unless we have ...
Pagina 203
... definitely to matters of me- dium and technique as to strictly æsthetic content . The æsthetic content , occurring as it does only upon a medium technically used , used that is in the ways of the arts and of artists , is often most ...
... definitely to matters of me- dium and technique as to strictly æsthetic content . The æsthetic content , occurring as it does only upon a medium technically used , used that is in the ways of the arts and of artists , is often most ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words