AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 73
... degree of the scale on the fundamental , and the sixth degree of the scale . Thus the ratios that we find are , in the order of their magnitude : 98 54 43 3/2 5/3 I I II III III IV ( 16 % ) 15/8 2 IV V VI ( VII - Ĥat ) VII VIII With the ...
... degree of the scale on the fundamental , and the sixth degree of the scale . Thus the ratios that we find are , in the order of their magnitude : 98 54 43 3/2 5/3 I I II III III IV ( 16 % ) 15/8 2 IV V VI ( VII - Ĥat ) VII VIII With the ...
Pagina 135
... degree of brightness ) , we find the whole range of sounds or colors serially ordered with reference to these ... degree of brightness and a degree of satura- 135 RELEVANCE IN ESTHETIC ANALYSIS: EXPRESSED FEELING AS FOCUS OF ...
... degree of brightness ) , we find the whole range of sounds or colors serially ordered with reference to these ... degree of brightness and a degree of satura- 135 RELEVANCE IN ESTHETIC ANALYSIS: EXPRESSED FEELING AS FOCUS OF ...
Pagina 136
David Wight Prall. apprehend a degree of brightness and a degree of satura- tion determinately greater or less than that of any every other color variation . and The elements and the serial orders or ranges are abstract in the sense of ...
David Wight Prall. apprehend a degree of brightness and a degree of satura- tion determinately greater or less than that of any every other color variation . and The elements and the serial orders or ranges are abstract in the sense of ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words