AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 151
... determinate content for the feeling called love until the object of love is included as one term present and playing its part in the conditioning process upon which consciously present content supervenes . Then what was vaguely felt ...
... determinate content for the feeling called love until the object of love is included as one term present and playing its part in the conditioning process upon which consciously present content supervenes . Then what was vaguely felt ...
Pagina 153
... determinate ob- jective presentations directly apprehended . Without being directed upon specific , determinate structures , feelings re- main too vague to be said to have character or definition ; and most of our names for emotions are ...
... determinate ob- jective presentations directly apprehended . Without being directed upon specific , determinate structures , feelings re- main too vague to be said to have character or definition ; and most of our names for emotions are ...
Pagina 155
... determinate whole in question . In another sense the dis- criminated elements as apprehended in their structural re- lations constitute this whole , so that actually apprehending the qualitative determinate feeling is apprehending the ...
... determinate whole in question . In another sense the dis- criminated elements as apprehended in their structural re- lations constitute this whole , so that actually apprehending the qualitative determinate feeling is apprehending the ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words