AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 22
Pagina x
... direct and realistic approach . Perhaps one of the reasons for this is the tendency to read Prall in conformance with our received ways of reading treatises on æsthetics . Thus , when he acknowledges an " as- thetic experience , " we ...
... direct and realistic approach . Perhaps one of the reasons for this is the tendency to read Prall in conformance with our received ways of reading treatises on æsthetics . Thus , when he acknowledges an " as- thetic experience , " we ...
Pagina 99
... direct attention as a single duration . For of course time runs on continuously , and there is always a supply of it to fill out a second duration immediately following a marked one . To some ears a duration of equal length is also de ...
... direct attention as a single duration . For of course time runs on continuously , and there is always a supply of it to fill out a second duration immediately following a marked one . To some ears a duration of equal length is also de ...
Pagina 147
... direct- ing interest and attention , nothing is given at all , as we saw clearly at the beginning . But obviously feeling is given . Feeling simply is concrete direct experience . And if we were only free of the cultivated but ...
... direct- ing interest and attention , nothing is given at all , as we saw clearly at the beginning . But obviously feeling is given . Feeling simply is concrete direct experience . And if we were only free of the cultivated but ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words