AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 43
Pagina 6
... directly and fully ex- perienced . It is not merely distinguished by one of the senses , but felt emotionally in its full present character . But SO far as it is æsthetic content , it is not more than thus directly felt . Once we go ...
... directly and fully ex- perienced . It is not merely distinguished by one of the senses , but felt emotionally in its full present character . But SO far as it is æsthetic content , it is not more than thus directly felt . Once we go ...
Pagina 9
... directly felt as the unifying completion of the process of emotional perception . And to any conscious perception at all some degree of emotion is requisite , if it is no more than the excitement of the attention that brings it to a ...
... directly felt as the unifying completion of the process of emotional perception . And to any conscious perception at all some degree of emotion is requisite , if it is no more than the excitement of the attention that brings it to a ...
Pagina 147
... directly given ( though given only on condition that there is the specific response as one of its conditions ) . Response is of the whole organism unanas- thetized , whether it is to be called spirit or body using its senses , which do ...
... directly given ( though given only on condition that there is the specific response as one of its conditions ) . Response is of the whole organism unanas- thetized , whether it is to be called spirit or body using its senses , which do ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words