AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 76
... discerned in nature as an aspect of sounds physically produced , a scheme of intervals defined for us in the very nature of musical sound , but abstracted from this concrete objective presence to sense in a scheme of abstract relations ...
... discerned in nature as an aspect of sounds physically produced , a scheme of intervals defined for us in the very nature of musical sound , but abstracted from this concrete objective presence to sense in a scheme of abstract relations ...
Pagina 184
... discerned . The critic has thought of and mentioned features that are not present in it , and he has also thought of a structural pattern that it does not fit , and that therefore does not fit it . So far he is of course correct . What ...
... discerned . The critic has thought of and mentioned features that are not present in it , and he has also thought of a structural pattern that it does not fit , and that therefore does not fit it . So far he is of course correct . What ...
Pagina 190
... discerned . This discernment of spatial form and proportion goes only a little way towards the apprehension of the expres- sive character of a sculptured figure . But how definitely essential this preliminary seeing is to full ...
... discerned . This discernment of spatial form and proportion goes only a little way towards the apprehension of the expres- sive character of a sculptured figure . But how definitely essential this preliminary seeing is to full ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words