AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 15
... discriminated as the basic structure of many aspects of the arts , and that training in discriminating these relations is the necessary condition of actual full acquaintance with works of art , and hence with the nature of art in ...
... discriminated as the basic structure of many aspects of the arts , and that training in discriminating these relations is the necessary condition of actual full acquaintance with works of art , and hence with the nature of art in ...
Pagina 57
... discriminating of the discrete out of the continu- ous . Abstraction is necessary to distinct experience of any- thing as distinguished from anything else , as distinguished from just everything all at once in one totality of confused ...
... discriminating of the discrete out of the continu- ous . Abstraction is necessary to distinct experience of any- thing as distinguished from anything else , as distinguished from just everything all at once in one totality of confused ...
Pagina 76
... discriminating the intervals so defined ; the duration re- quired for hearing any note at all at any pitch or of any quality or loudness — all these are essential to concrete mu- sical sound and to discovering the scale . But they are ...
... discriminating the intervals so defined ; the duration re- quired for hearing any note at all at any pitch or of any quality or loudness — all these are essential to concrete mu- sical sound and to discovering the scale . But they are ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words