AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 15
lations , not numerical , not spatial and not temporal , can be discriminated as the
basic structure of many aspects of the arts , and that training in discriminating
these relations is the necessary condition of actual full acquaintance with works
of ...
lations , not numerical , not spatial and not temporal , can be discriminated as the
basic structure of many aspects of the arts , and that training in discriminating
these relations is the necessary condition of actual full acquaintance with works
of ...
Pagina 20
It is not full enough or discriminating enough to find in the immediately present
content an adequately absorbing object . Any one who has ever been absorbed
in looking at a tree in a picture has been occupied in discriminating lines , shapes
...
It is not full enough or discriminating enough to find in the immediately present
content an adequately absorbing object . Any one who has ever been absorbed
in looking at a tree in a picture has been occupied in discriminating lines , shapes
...
Pagina 57
And here he agrees with one of the great modern mathematicians who has said
that the fundamental intellectual act is the discriminating of the discrete out of the
continuous . Abstraction is necessary to distinct experience of anything as ...
And here he agrees with one of the great modern mathematicians who has said
that the fundamental intellectual act is the discriminating of the discrete out of the
continuous . Abstraction is necessary to distinct experience of anything as ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate æsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements emotional example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp human indicate individual intelligible intensity interest intervals intrinsic kind knowledge language least length less marked matter means measure merely names nature notes object obvious octave once organism particular pattern physical pitch possible present processes qualitative relations require response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface systematic taken temporal temporal pattern theory things tion Tonic variations verse vibration whole