AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 23
Pagina 15
... distinct from spatial structures , we need only exhibit two different color struc- tures which are spatially the same and which are themselves complexes of color relations . The difference between the two structures will thus be a ...
... distinct from spatial structures , we need only exhibit two different color struc- tures which are spatially the same and which are themselves complexes of color relations . The difference between the two structures will thus be a ...
Pagina 57
... distinct experience at all , what Mr. Dewey calls experiences as distinguished from mere vague awareness or bare experience as continuous . And here he agrees with one of the great modern mathe- maticians who has said that the ...
... distinct experience at all , what Mr. Dewey calls experiences as distinguished from mere vague awareness or bare experience as continuous . And here he agrees with one of the great modern mathe- maticians who has said that the ...
Pagina 211
... distinct from qualitative , 138 Summary sketch of earlier chapters , 135-139 Symmetry , mis - use of the term , 87 Taste , relativity of , 175 , 182 Tastes and smells , 18 , 47 Technique , 160 , 184 , 197 , 204 Temporal elements , 84 ...
... distinct from qualitative , 138 Summary sketch of earlier chapters , 135-139 Symmetry , mis - use of the term , 87 Taste , relativity of , 175 , 182 Tastes and smells , 18 , 47 Technique , 160 , 184 , 197 , 204 Temporal elements , 84 ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words