AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 57
... distinguished from anything else , as distinguished from just everything all at once in one totality of confused awareness . Further abstraction is necessary to experience of any particular sort , nameable as æsthetic or not . Still ...
... distinguished from anything else , as distinguished from just everything all at once in one totality of confused awareness . Further abstraction is necessary to experience of any particular sort , nameable as æsthetic or not . Still ...
Pagina 116
... distinguished from another , not all of them distinguished from what is noth- ing . For nothing , without restriction , means the absence of anything of any kind , and this is entirely unthinkable . Nothing , as significantly used in ...
... distinguished from another , not all of them distinguished from what is noth- ing . For nothing , without restriction , means the absence of anything of any kind , and this is entirely unthinkable . Nothing , as significantly used in ...
Pagina 207
... distinguished from the beautiful , 3 , 10 , 43 , from the fine arts , 4 , 26 , from language , 92 , 144 , 148 , 162 , from the practical , 6 , 142 , from physics and psy- chology , 10 , from the sciences generally , 173 , 196 ; rela ...
... distinguished from the beautiful , 3 , 10 , 43 , from the fine arts , 4 , 26 , from language , 92 , 144 , 148 , 162 , from the practical , 6 , 142 , from physics and psy- chology , 10 , from the sciences generally , 173 , 196 ; rela ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words