AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 103
... division on the single line of temporal forward progress . Since our attentive processes will thus be alternately tensed in expectation and relaxed at the points of division , to the degree that we are absorbed by the temporal pattern ...
... division on the single line of temporal forward progress . Since our attentive processes will thus be alternately tensed in expectation and relaxed at the points of division , to the degree that we are absorbed by the temporal pattern ...
Pagina 107
... division into two , forward and back , up and down , right and left , of the patterned swaying of the body , or the waving of the arms , or of walking , or swinging an object , or rocking a crib . The very ticking of the clock we ...
... division into two , forward and back , up and down , right and left , of the patterned swaying of the body , or the waving of the arms , or of walking , or swinging an object , or rocking a crib . The very ticking of the clock we ...
Pagina 132
... division depended on the rhyme , there would be no more reason for dividing the stanza into the two so - called fourteeners than for the division into four lines . Without the rests , in other words , the fourteeners here would not be ...
... division depended on the rhyme , there would be no more reason for dividing the stanza into the two so - called fourteeners than for the division into four lines . Without the rests , in other words , the fourteeners here would not be ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words