AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 56
A note must have duration just as truly as it must have pitch or timbre ; and spatial
and temporal structures can appear only as qualitied . We keep " quality " as a
term for the very purpose of distinguishing such aspects of color and sound from
...
A note must have duration just as truly as it must have pitch or timbre ; and spatial
and temporal structures can appear only as qualitied . We keep " quality " as a
term for the very purpose of distinguishing such aspects of color and sound from
...
Pagina 98
We can have no definitely related lengths of duration , or to speak more
cautiously and correctly , no temporal relations of durations to one another ,
unless we have a unit duration . And since all that we directly apprehend in verse
is sound , it ...
We can have no definitely related lengths of duration , or to speak more
cautiously and correctly , no temporal relations of durations to one another ,
unless we have a unit duration . And since all that we directly apprehend in verse
is sound , it ...
Pagina 99
Experiment is demanded , though only of that easy sort that we can readily carry
out in imagination . To mark the two ends of an interval of duration , it is
necessary to give two signs , one at the beginning and one at the end . But doing
this ( by ...
Experiment is demanded , though only of that easy sort that we can readily carry
out in imagination . To mark the two ends of an interval of duration , it is
necessary to give two signs , one at the beginning and one at the end . But doing
this ( by ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate æsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements emotional example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp human indicate individual intelligible intensity interest intervals intrinsic kind knowledge language least length less marked matter means measure merely names nature notes object obvious octave once organism particular pattern physical pitch possible present processes qualitative relations require response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface systematic taken temporal temporal pattern theory things tion Tonic variations verse vibration whole