AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 56
... duration and every color , spatial extension . But everything in the world has duration , while nothing but sound has pitch , as nothing in the world but sound has loudness in the specific use of the word as here applied . Vast numbers ...
... duration and every color , spatial extension . But everything in the world has duration , while nothing but sound has pitch , as nothing in the world but sound has loudness in the specific use of the word as here applied . Vast numbers ...
Pagina 98
... duration , or to speak more cautiously and correctly , no temporal relations of durations to one another , unless we have a unit duration . And since all that we directly apprehend in verse is sound , it will have to be some aspect of ...
... duration , or to speak more cautiously and correctly , no temporal relations of durations to one another , unless we have a unit duration . And since all that we directly apprehend in verse is sound , it will have to be some aspect of ...
Pagina 99
... duration . For of course time runs on continuously , and there is always a supply of it to fill out a second duration immediately following a marked one . To some ears a duration of equal length is also de- fined preceding the first one ...
... duration . For of course time runs on continuously , and there is always a supply of it to fill out a second duration immediately following a marked one . To some ears a duration of equal length is also de- fined preceding the first one ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words