AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 16
David Wight Prall. effect , but as analysed into the order of the color varia- tions . The difference between the two ... effects intended . This ordered variation , where the order is constituted by the single relation redder - than , is ...
David Wight Prall. effect , but as analysed into the order of the color varia- tions . The difference between the two ... effects intended . This ordered variation , where the order is constituted by the single relation redder - than , is ...
Pagina 162
... effect , an effect not merely recognized as pale green trees with spaces and light among them , but felt sharply as just this look and feel of light and air and color . Delicate as pale green and lavender - blue are delicate , strong ...
... effect , an effect not merely recognized as pale green trees with spaces and light among them , but felt sharply as just this look and feel of light and air and color . Delicate as pale green and lavender - blue are delicate , strong ...
Pagina 169
... effect , we insist on applying our analytical elements and relations and patterns as they might constitute some pre- conceived structure ; as if , for example , we tried to relate the spatial elements of a Persian miniature in the ...
... effect , we insist on applying our analytical elements and relations and patterns as they might constitute some pre- conceived structure ; as if , for example , we tried to relate the spatial elements of a Persian miniature in the ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words