AEsthetic Analysis |
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Pagina 16
David Wight Prall. effect , but as analysed into the order of the color variations . ...
If we could not depend upon this perfectly fixed , intrinsically ordered variation in
color , we could not count on the variations to give the specific effects intended .
David Wight Prall. effect , but as analysed into the order of the color variations . ...
If we could not depend upon this perfectly fixed , intrinsically ordered variation in
color , we could not count on the variations to give the specific effects intended .
Pagina 162
And the water color gives this exciting effect , an effect not merely recognized as
pale green trees with spaces and light among them , but felt sharply as just this
look and feel of light and air and color . Delicate as pale green and lavender -
blue ...
And the water color gives this exciting effect , an effect not merely recognized as
pale green trees with spaces and light among them , but felt sharply as just this
look and feel of light and air and color . Delicate as pale green and lavender -
blue ...
Pagina 169
there in its structural relations as making up the total effect , we miss its fullness
and often its main distinguishing individuality . Thus in pictures , and more
strikingly in sculpture , we may apprehend little but a representation instead of
what is ...
there in its structural relations as making up the total effect , we miss its fullness
and often its main distinguishing individuality . Thus in pictures , and more
strikingly in sculpture , we may apprehend little but a representation instead of
what is ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate æsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements emotional example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp human indicate individual intelligible intensity interest intervals intrinsic kind knowledge language least length less marked matter means measure merely names nature notes object obvious octave once organism particular pattern physical pitch possible present processes qualitative relations require response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface systematic taken temporal temporal pattern theory things tion Tonic variations verse vibration whole