AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 73
Pagina 41
... elements and the kinds of relations native or possible to these elements in complexes . For elements not natively ordered by a relation of some sort will not make structures for us at all , nor will intrinsically related elements make ...
... elements and the kinds of relations native or possible to these elements in complexes . For elements not natively ordered by a relation of some sort will not make structures for us at all , nor will intrinsically related elements make ...
Pagina 42
... elements must lie in an order native to their very being , an order grasped by us as constituted by a relation . We call structures intelligible and feel that we know them in so far as we find them capable of analysis into such elements ...
... elements must lie in an order native to their very being , an order grasped by us as constituted by a relation . We call structures intelligible and feel that we know them in so far as we find them capable of analysis into such elements ...
Pagina 137
... elements in a series , all of whose elements lie in this single order . Hence their relation is itself related to all the other relations in the series , and , as concretely exhibited , becomes necessarily and for direct apprehension a ...
... elements in a series , all of whose elements lie in this single order . Hence their relation is itself related to all the other relations in the series , and , as concretely exhibited , becomes necessarily and for direct apprehension a ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words