AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 9
... emotional perception . And to any conscious perception at all some degree of emotion is requisite , if it is no more than the excitement of the attention that brings it to a focus . The concrete object of asthetic perception is just ...
... emotional perception . And to any conscious perception at all some degree of emotion is requisite , if it is no more than the excitement of the attention that brings it to a focus . The concrete object of asthetic perception is just ...
Pagina 143
... emotional . As our response is integral to the process conditioning the world's appearance in all of its aspects , so the emotionally conditioned or conditioning aspects of our response condition its emotional character . Hence its emo ...
... emotional . As our response is integral to the process conditioning the world's appearance in all of its aspects , so the emotionally conditioned or conditioning aspects of our response condition its emotional character . Hence its emo ...
Pagina 176
... emotional correlation . As we all know in these days , emotional possibilities and emotional clarity depend on a thousand details of individual development , from early infancy through the childhood influences of family , companions and ...
... emotional correlation . As we all know in these days , emotional possibilities and emotional clarity depend on a thousand details of individual development , from early infancy through the childhood influences of family , companions and ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words