AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 49
Pagina 18
... suggesting . For any two variations in color , for example , we can ... from one
another . And in music we have names for these measures of distance , the
intervals , an octave , a fifth , a third , to take examples from our own scale system
.
... suggesting . For any two variations in color , for example , we can ... from one
another . And in music we have names for these measures of distance , the
intervals , an octave , a fifth , a third , to take examples from our own scale system
.
Pagina 148
It seems clear enough , for example , that we feel aches and pains and emotions
as our own in a way not true of the smooth hardness of a table top , which is there
for any one else to feel , just as its extension is there for any one else to ...
It seems clear enough , for example , that we feel aches and pains and emotions
as our own in a way not true of the smooth hardness of a table top , which is there
for any one else to feel , just as its extension is there for any one else to ...
Pagina 149
It seems clear enough , for example , that we feel aches and pains and emotions
as our own in a way not true of the smooth hardness of a table top , which is there
for any one else to feel , just as its extension is there for any one else to ...
It seems clear enough , for example , that we feel aches and pains and emotions
as our own in a way not true of the smooth hardness of a table top , which is there
for any one else to feel , just as its extension is there for any one else to ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate æsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements emotional example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp human indicate individual intelligible intensity interest intervals intrinsic kind knowledge language least length less marked matter means measure merely names nature notes object obvious octave once organism particular pattern physical pitch possible present processes qualitative relations require response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface systematic taken temporal temporal pattern theory things tion Tonic variations verse vibration whole