AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 46
Pagina 18
... example , we can find a variation half way between , or a variation twice as far from one of them as from the other , along one of the serial ranges of color . And so of pitches . Pitches are at definitely apprehended distances in pitch ...
... example , we can find a variation half way between , or a variation twice as far from one of them as from the other , along one of the serial ranges of color . And so of pitches . Pitches are at definitely apprehended distances in pitch ...
Pagina 148
... example , that we feel aches and pains and emotions as our own in a way not true of the smooth hardness of a table top , which is there for any one else to feel , just as its ex- tension is there for any one else to measure ; or of the ...
... example , that we feel aches and pains and emotions as our own in a way not true of the smooth hardness of a table top , which is there for any one else to feel , just as its ex- tension is there for any one else to measure ; or of the ...
Pagina 149
... example , that we feel aches and pains and emotions as our own in a way not true of the smooth hardness of a table top , which is there for any one else to feel , just as its ex- tension is there for any one else to measure ; or of the ...
... example , that we feel aches and pains and emotions as our own in a way not true of the smooth hardness of a table top , which is there for any one else to feel , just as its ex- tension is there for any one else to measure ; or of the ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words