AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 137
... exhibiting concretely its own position , length , direction , or sequence of points , thereby defines these same spatial relations as constituents of the plane that it is in , which is made up of such relations . The relations exhibited ...
... exhibiting concretely its own position , length , direction , or sequence of points , thereby defines these same spatial relations as constituents of the plane that it is in , which is made up of such relations . The relations exhibited ...
Pagina 138
... exhibited temporal elements , durations of various lengths , whether of sounds or of motions , natively ordered in the manifold serial orders of space and the one - dimensional irreversible order of time . Next we found how natural ...
... exhibited temporal elements , durations of various lengths , whether of sounds or of motions , natively ordered in the manifold serial orders of space and the one - dimensional irreversible order of time . Next we found how natural ...
Pagina 149
... exhibited . We may take up the matter a little differently , however , and perhaps make it plainer . It seems clear enough , for example , that we feel aches and pains and emotions as our own in a way not true of the smooth hardness of ...
... exhibited . We may take up the matter a little differently , however , and perhaps make it plainer . It seems clear enough , for example , that we feel aches and pains and emotions as our own in a way not true of the smooth hardness of ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words