AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 29
... expression in a sense of the word that should become plain before we finish , and expression in art involves communication . But what is readily communicated is never the feelings and ideas of great men of other centuries , but the ...
... expression in a sense of the word that should become plain before we finish , and expression in art involves communication . But what is readily communicated is never the feelings and ideas of great men of other centuries , but the ...
Pagina 141
... expression of mere means to larger ends in more comprehensive works , but necessary to these new works as an adaptation of material and medium . through technique to further ends felt as demanding such fresh means . Some of the work of ...
... expression of mere means to larger ends in more comprehensive works , but necessary to these new works as an adaptation of material and medium . through technique to further ends felt as demanding such fresh means . Some of the work of ...
Pagina 159
... expression . The lack of the former is fatal to æsthetic adequacy ; the possession of the latter is , for purposes of representation , often just as satis- factory as artistic genius . And once art is turned to ulterior purposes ...
... expression . The lack of the former is fatal to æsthetic adequacy ; the possession of the latter is , for purposes of representation , often just as satis- factory as artistic genius . And once art is turned to ulterior purposes ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words