AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 117
... except in the most general way , their account of verse had anything to do with
the specific expressiveness of poetry . ... were not expressive but had a character
distinct and even separate from the intention expressed in the words , instead of ...
... except in the most general way , their account of verse had anything to do with
the specific expressiveness of poetry . ... were not expressive but had a character
distinct and even separate from the intention expressed in the words , instead of ...
Pagina 127
This throws most of the expressive burden on the tune , the actual character of
which is partly just its rate approximating that of speech . And the tune not at this
rate , approximately that of spoken words , has not a pitch pattern of sufficient ...
This throws most of the expressive burden on the tune , the actual character of
which is partly just its rate approximating that of speech . And the tune not at this
rate , approximately that of spoken words , has not a pitch pattern of sufficient ...
Pagina 193
To feel the abnormally long bodies and faces of El Greco as merely distortion ,
instead of feeling them as ascetic and in some of his portraits as aristocratic , or
as expressive of saintly ecstatic emaciation or intense religious striving or
straining ...
To feel the abnormally long bodies and faces of El Greco as merely distortion ,
instead of feeling them as ascetic and in some of his portraits as aristocratic , or
as expressive of saintly ecstatic emaciation or intense religious striving or
straining ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate æsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements emotional example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp human indicate individual intelligible intensity interest intervals intrinsic kind knowledge language least length less marked matter means measure merely names nature notes object obvious octave once organism particular pattern physical pitch possible present processes qualitative relations require response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface systematic taken temporal temporal pattern theory things tion Tonic variations verse vibration whole