AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 67
Pagina 19
... fact that such ap- prehension is in its very nature feeling . The feeling is strictly æsthetic , however , only if it is directed exclusively upon the object , so that it is properly the feeling of that object , not an irrelevance ...
... fact that such ap- prehension is in its very nature feeling . The feeling is strictly æsthetic , however , only if it is directed exclusively upon the object , so that it is properly the feeling of that object , not an irrelevance ...
Pagina 64
... facts involved . But now that we know these facts in clear general outline , it becomes easy to see how , in the selection of the scale notes , human ears were guided by the nature of the physical conditions of sound production . We can ...
... facts involved . But now that we know these facts in clear general outline , it becomes easy to see how , in the selection of the scale notes , human ears were guided by the nature of the physical conditions of sound production . We can ...
Pagina 168
... fact statement . A solemn , honest mind may be totally be totally at a loss to see what the point of the words and sentences he reads can be , when these express an attitude towards subject matter foreign to his matter of fact naïveté ...
... fact statement . A solemn , honest mind may be totally be totally at a loss to see what the point of the words and sentences he reads can be , when these express an attitude towards subject matter foreign to his matter of fact naïveté ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words