AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 67
Pagina 19
Such contemplation , in fact , removes irrelevant feeling just by being fully
directed discriminating attention . Contemplation that does not attend and
discriminate is either not æsthetic contemplation at all , or it is the æsthetic
contemplation of ...
Such contemplation , in fact , removes irrelevant feeling just by being fully
directed discriminating attention . Contemplation that does not attend and
discriminate is either not æsthetic contemplation at all , or it is the æsthetic
contemplation of ...
Pagina 64
It is these familiar natural facts about the determinately timed vibration rates of
physical things , and their correlations with higher and lower pitches in the
sounds emitted , that have selected for us out of the continuum of pitch ,
illustrated , say ...
It is these familiar natural facts about the determinately timed vibration rates of
physical things , and their correlations with higher and lower pitches in the
sounds emitted , that have selected for us out of the continuum of pitch ,
illustrated , say ...
Pagina 168
what we miss is the difference between a slightly ironic tone in writing and a
matter of fact statement . A solemn , honest mind may be totally at a loss to see
what the point of the words and sentences he reads can be , when these express
an ...
what we miss is the difference between a slightly ironic tone in writing and a
matter of fact statement . A solemn , honest mind may be totally at a loss to see
what the point of the words and sentences he reads can be , when these express
an ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate æsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements emotional example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp human indicate individual intelligible intensity interest intervals intrinsic kind knowledge language least length less marked matter means measure merely names nature notes object obvious octave once organism particular pattern physical pitch possible present processes qualitative relations require response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface systematic taken temporal temporal pattern theory things tion Tonic variations verse vibration whole