AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 49
Pagina 86
... familiar . Without apprehensible form no composition coheres sufficiently to be one presented ob- jective for attention ; on the other hand the most familiar of the geometrical figures by themselves have little ex- pressive vitality ...
... familiar . Without apprehensible form no composition coheres sufficiently to be one presented ob- jective for attention ; on the other hand the most familiar of the geometrical figures by themselves have little ex- pressive vitality ...
Pagina 117
... familiar , three- measure line of blank verse is described as pentameter , suggesting that there is a division into five , a grouping that would be completely foreign to any traditional , natural time - pattern . This is the sort of ...
... familiar , three- measure line of blank verse is described as pentameter , suggesting that there is a division into five , a grouping that would be completely foreign to any traditional , natural time - pattern . This is the sort of ...
Pagina 157
... familiar shape of the human body . The content , then , when we are presented with such shapes , natural or useful , is directly seen and felt as these familiar things , or at least as the shapes and appearances of these familiar things ...
... familiar shape of the human body . The content , then , when we are presented with such shapes , natural or useful , is directly seen and felt as these familiar things , or at least as the shapes and appearances of these familiar things ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words