AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 74
Pagina xvi
notes or the feeling or whatever you please ; if it is granted that in the concrete
sonata this conventional form becomes a superficial aspect of the total form and
becomes intimately identified with the latter ; if it is granted , further , that the ...
notes or the feeling or whatever you please ; if it is granted that in the concrete
sonata this conventional form becomes a superficial aspect of the total form and
becomes intimately identified with the latter ; if it is granted , further , that the ...
Pagina xvii
vague the statement about the feeling was , the word “ brooding ” is no longer
apposite . In changing the form , I have changed the feeling . There is , of course ,
something highly fatuous , useless , and inordinately unmethodical about these ...
vague the statement about the feeling was , the word “ brooding ” is no longer
apposite . In changing the form , I have changed the feeling . There is , of course ,
something highly fatuous , useless , and inordinately unmethodical about these ...
Pagina 151
And as there is no clearly defined present object felt , so there is no clearly
defined single feeling experienced , but a welter of successive transitory feelings
only very slightly defined separately and not integrated into any one defined
object of ...
And as there is no clearly defined present object felt , so there is no clearly
defined single feeling experienced , but a welter of successive transitory feelings
only very slightly defined separately and not integrated into any one defined
object of ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate æsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements emotional example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp human indicate individual intelligible intensity interest intervals intrinsic kind knowledge language least length less marked matter means measure merely names nature notes object obvious octave once organism particular pattern physical pitch possible present processes qualitative relations require response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface systematic taken temporal temporal pattern theory things tion Tonic variations verse vibration whole