AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 57
Pagina 9
... felt to be achieved in a vital process of receiv- ing ; when , to use Mr. Dewey's own terms , our doing has its own felt consummation , comes to its own realized fruition , not beyond the immediately present but in a direct undergoing ...
... felt to be achieved in a vital process of receiv- ing ; when , to use Mr. Dewey's own terms , our doing has its own felt consummation , comes to its own realized fruition , not beyond the immediately present but in a direct undergoing ...
Pagina 160
... felt like to the painter , or what the painter felt as capable of being em- bodied in a picture with a wall in it . This may look not very much like the wall , in seeing which this particular felt effect was stirred in him , to reach ...
... felt like to the painter , or what the painter felt as capable of being em- bodied in a picture with a wall in it . This may look not very much like the wall , in seeing which this particular felt effect was stirred in him , to reach ...
Pagina 199
... felt structural character , sometimes naming a quality felt at some time by some critic to be the key to all that is fine or great in art . If the terms used have a disparaging force , they in- dicate a more or less condemnatory ...
... felt structural character , sometimes naming a quality felt at some time by some critic to be the key to all that is fine or great in art . If the terms used have a disparaging force , they in- dicate a more or less condemnatory ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words