AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 38
Pagina 5
... field of the asthetic . But this appears to be the whole field of human expe- rience , the whole world as directly felt . It is simply the ex- ternal world , including our own bodies , inside and out , that begins to dawn on us in ...
... field of the asthetic . But this appears to be the whole field of human expe- rience , the whole world as directly felt . It is simply the ex- ternal world , including our own bodies , inside and out , that begins to dawn on us in ...
Pagina 11
... field , no doubt ; but it would be to neglect exactly the field that we have already been at pains to indicate as offering us the data of asthetics proper . An organism in nature , interacting within natural process , that is to say an ...
... field , no doubt ; but it would be to neglect exactly the field that we have already been at pains to indicate as offering us the data of asthetics proper . An organism in nature , interacting within natural process , that is to say an ...
Pagina 43
... field . But it will be no disad- vantage to our knowledge in general that the distinction between this field and that of physics on the one hand and of psychology on the other will not be a mere otherness but the boundary line of ...
... field . But it will be no disad- vantage to our knowledge in general that the distinction between this field and that of physics on the one hand and of psychology on the other will not be a mere otherness but the boundary line of ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words