AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 20
Pagina 72
... follows , where we simply multiply the vibration rate of D and SD respectively by the same fractions we have employed on T. The re- sults may be tabulated as follows : The first table multiplies the vibration rate of the fundamental or ...
... follows , where we simply multiply the vibration rate of D and SD respectively by the same fractions we have employed on T. The re- sults may be tabulated as follows : The first table multiplies the vibration rate of the fundamental or ...
Pagina 121
David Wight Prall. we let our beat follow our own irregularities of sound pro- duction , or we let it follow not the temporal pattern of music heard but its more prominent aspects in pitch and loudness , thus missing its basic temporal ...
David Wight Prall. we let our beat follow our own irregularities of sound pro- duction , or we let it follow not the temporal pattern of music heard but its more prominent aspects in pitch and loudness , thus missing its basic temporal ...
Pagina 132
... follows : I 2 3 bid me to 4 5 6 live and 6 I will live Thy 6 I 2.3 4 5 6 1 2 3 4 5 Protes be- ( Ổt ) tant to The regularly occurring rests at the ends of the second and fourth lines in each stanza make a division of the stanza into two ...
... follows : I 2 3 bid me to 4 5 6 live and 6 I will live Thy 6 I 2.3 4 5 6 1 2 3 4 5 Protes be- ( Ổt ) tant to The regularly occurring rests at the ends of the second and fourth lines in each stanza make a division of the stanza into two ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words