AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 38
Pagina xvii
... formal relations of a composition , or in terms of our feeling , we are talking about the same thing . The form is felt and the feel- ing is formal , and that is the he and the she of it . The ' he , ' however , is somewhat more ...
... formal relations of a composition , or in terms of our feeling , we are talking about the same thing . The form is felt and the feel- ing is formal , and that is the he and the she of it . The ' he , ' however , is somewhat more ...
Pagina 54
... formal nature in the same way from sound and color , these latter become purely formal too . It is the lack of full attention to what we mean by color contrast itself , as distinguished from the spatial presentation of such con- trast ...
... formal nature in the same way from sound and color , these latter become purely formal too . It is the lack of full attention to what we mean by color contrast itself , as distinguished from the spatial presentation of such con- trast ...
Pagina 165
... formal sensuous elements as such , the very nature of these forms , so often derived from nature and human experience , brings into art the non- formal significance attached to the same forms in nature and in life . The brightness or ...
... formal sensuous elements as such , the very nature of these forms , so often derived from nature and human experience , brings into art the non- formal significance attached to the same forms in nature and in life . The brightness or ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words