AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 37
Pagina xvii
Whether we describe or analyze our listening experience , he said , “ as the
formal relations of a composition , or in terms of our feeling , we are talking about
the same thing . The form is felt and the feeling is formal , and that is the he and
the ...
Whether we describe or analyze our listening experience , he said , “ as the
formal relations of a composition , or in terms of our feeling , we are talking about
the same thing . The form is felt and the feeling is formal , and that is the he and
the ...
Pagina 54
Space and time have become purely formal as we have realized their
abstractness in systematic analysis . There are no real but only nominal elements
of space and time . But it takes very little meditation on the nature of pitch and hue
to see ...
Space and time have become purely formal as we have realized their
abstractness in systematic analysis . There are no real but only nominal elements
of space and time . But it takes very little meditation on the nature of pitch and hue
to see ...
Pagina 165
And while much of this character depends on formal sensuous elements as such
, the very nature of these forms , so often derived from nature and human
experience , brings into art the nonformal significance attached to the same forms
in ...
And while much of this character depends on formal sensuous elements as such
, the very nature of these forms , so often derived from nature and human
experience , brings into art the nonformal significance attached to the same forms
in ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract accent acquaintance actual adequate æsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements emotional example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp human indicate individual intelligible intensity interest intervals intrinsic kind knowledge language least length less marked matter means measure merely names nature notes object obvious octave once organism particular pattern physical pitch possible present processes qualitative relations require response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface systematic taken temporal temporal pattern theory things tion Tonic variations verse vibration whole