AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 30
Pagina 6
... fully ex- perienced . It is not merely distinguished by one of the senses , but felt emotionally in its full present character . But SO far as it is æsthetic content , it is not more than thus directly felt . Once we go beyond into ...
... fully ex- perienced . It is not merely distinguished by one of the senses , but felt emotionally in its full present character . But SO far as it is æsthetic content , it is not more than thus directly felt . Once we go beyond into ...
Pagina 20
... fully and determinately , and hence richly and excit- ingly . It is not full enough or discriminating enough to find in the immediately present content an adequately absorbing object . Any one who has ever been absorbed in looking at a ...
... fully and determinately , and hence richly and excit- ingly . It is not full enough or discriminating enough to find in the immediately present content an adequately absorbing object . Any one who has ever been absorbed in looking at a ...
Pagina 164
... fully heard but heard through . And we gather and remember their meaning accurately without at all remem- bering the words themselves . In fact , to put our attention so fully on the phrases used as to remember them instead of their ...
... fully heard but heard through . And we gather and remember their meaning accurately without at all remem- bering the words themselves . In fact , to put our attention so fully on the phrases used as to remember them instead of their ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words