AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 147
... function of themselves but as em- ployed by the organic mind , and which do not function separately from one another . With no response , no direct- ing interest and attention , nothing is given at all , as we saw clearly at the ...
... function of themselves but as em- ployed by the organic mind , and which do not function separately from one another . With no response , no direct- ing interest and attention , nothing is given at all , as we saw clearly at the ...
Pagina 165
... function itself of elements and patterns is modified by their expressive function ; for their expressive function cannot be exercised except formally . Everything in a concrete work of art is formal at one RELEVANCE THROUGH EXPRESSION 165.
... function itself of elements and patterns is modified by their expressive function ; for their expressive function cannot be exercised except formally . Everything in a concrete work of art is formal at one RELEVANCE THROUGH EXPRESSION 165.
Pagina 169
... function of asthetic theory itself . The danger is , of course , that , failing to get any direct total effect , we insist on applying our analytical elements and relations and patterns as they might constitute some pre- conceived ...
... function of asthetic theory itself . The danger is , of course , that , failing to get any direct total effect , we insist on applying our analytical elements and relations and patterns as they might constitute some pre- conceived ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words