AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 56
Pagina 83
... given first of the intrinsically qualitative orders , and then of one selected qualitative pattern , viz . , the musical scale , it is safe enough to go on to basic patterns in the more regularly recognized kinds of intelligible form ...
... given first of the intrinsically qualitative orders , and then of one selected qualitative pattern , viz . , the musical scale , it is safe enough to go on to basic patterns in the more regularly recognized kinds of intelligible form ...
Pagina 124
... given in Pat- more's discussion . Since Patmore's day there have been some stupidly blind criticisms of him ; but the general scheme as given in English Metrical Law is at least reasonably familiar . What enlightened modern prosodists ...
... given in Pat- more's discussion . Since Patmore's day there have been some stupidly blind criticisms of him ; but the general scheme as given in English Metrical Law is at least reasonably familiar . What enlightened modern prosodists ...
Pagina 147
... given ( though given only on condition that there is the specific response as one of its conditions ) . Response is of the whole organism unanas- thetized , whether it is to be called spirit or body using its senses , which do not ...
... given ( though given only on condition that there is the specific response as one of its conditions ) . Response is of the whole organism unanas- thetized , whether it is to be called spirit or body using its senses , which do not ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words