AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 29
Pagina 19
And as every one knows , the formal abstractness of the elements and relations
taken as fundamental is fatal to any grasp of the subject matter of æsthetics , if
this is to include either sensuous content or emotional depth or human
significance .
And as every one knows , the formal abstractness of the elements and relations
taken as fundamental is fatal to any grasp of the subject matter of æsthetics , if
this is to include either sensuous content or emotional depth or human
significance .
Pagina 28
It is often supposed that great artists are not endowed with mind so much as with
a spirit which directly externalizes itself , and that other human spirits , by virtue of
their innate humanity , can grasp the spiritual essence thus mysteriously made ...
It is often supposed that great artists are not endowed with mind so much as with
a spirit which directly externalizes itself , and that other human spirits , by virtue of
their innate humanity , can grasp the spiritual essence thus mysteriously made ...
Pagina 39
But if we are to deal with sounds in music , whether to compose or merely to hear
a simple melody , we must grasp pitch relations . The grasp of them at the
minimum appears to be perception , not conceptual understanding . But the
difference ...
But if we are to deal with sounds in music , whether to compose or merely to hear
a simple melody , we must grasp pitch relations . The grasp of them at the
minimum appears to be perception , not conceptual understanding . But the
difference ...
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abstract accent acquaintance actual adequate æsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements emotional example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp human indicate individual intelligible intensity interest intervals intrinsic kind knowledge language least length less marked matter means measure merely names nature notes object obvious octave once organism particular pattern physical pitch possible present processes qualitative relations require response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface systematic taken temporal temporal pattern theory things tion Tonic variations verse vibration whole