AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 29
Pagina 19
... grasp of the subject matter of æsthetics , if this is to include either sensuous content or emotional depth or human significance . But this objection has already been answered . For the ele- ments we have so far suggested are not only ...
... grasp of the subject matter of æsthetics , if this is to include either sensuous content or emotional depth or human significance . But this objection has already been answered . For the ele- ments we have so far suggested are not only ...
Pagina 28
... grasp the spiritual essence thus mysteriously made available . But if so , then mere human knowledge , with all the training and develop- ment that it requires except in the case of those special proclivities and abilities that are ...
... grasp the spiritual essence thus mysteriously made available . But if so , then mere human knowledge , with all the training and develop- ment that it requires except in the case of those special proclivities and abilities that are ...
Pagina 39
... grasp pitch relations . per- The grasp of them at the minimum appears to be ception , not conceptual understanding . But the difference between perceiving clearly and understanding distinctly is not the great difference that we are ...
... grasp pitch relations . per- The grasp of them at the minimum appears to be ception , not conceptual understanding . But the difference between perceiving clearly and understanding distinctly is not the great difference that we are ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words