AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 106
... grouping of them into larger temporal units . Our next question is as to what in nature gives us not merely measures of certain lengths , but acceptable pat- terns of the subdivision of measures and of their grouping . And it is clear ...
... grouping of them into larger temporal units . Our next question is as to what in nature gives us not merely measures of certain lengths , but acceptable pat- terns of the subdivision of measures and of their grouping . And it is clear ...
Pagina 117
... grouping into lines of so many feet is not a grouping of measures . The counted number of feet as constituted solely of syllables , instead of being made up in part of time unfilled by any sound , is so completely artificial a ...
... grouping into lines of so many feet is not a grouping of measures . The counted number of feet as constituted solely of syllables , instead of being made up in part of time unfilled by any sound , is so completely artificial a ...
Pagina 132
... grouping of the parts of the stanza into two . For if the division depended on the rhyme , there would be no more reason for dividing the stanza into the two so - called fourteeners than for the division into four lines . Without the ...
... grouping of the parts of the stanza into two . For if the division depended on the rhyme , there would be no more reason for dividing the stanza into the two so - called fourteeners than for the division into four lines . Without the ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words