AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina xx
... hear it better , and as preparation for better apprehension of pre- sented surface , it is remotely analogous to making a side trip to the dictionary to look up a word in a poem . Since we leave the dictionary behind when we extract the ...
... hear it better , and as preparation for better apprehension of pre- sented surface , it is remotely analogous to making a side trip to the dictionary to look up a word in a poem . Since we leave the dictionary behind when we extract the ...
Pagina 19
... hear the pitch pattern at all , that is to say , if we hear the melody . Distinguishing this interval or pitch relation , or pitch dis- tance , along with other relations of the same sort , is hear- ing the melody itself . The objection ...
... hear the pitch pattern at all , that is to say , if we hear the melody . Distinguishing this interval or pitch relation , or pitch dis- tance , along with other relations of the same sort , is hear- ing the melody itself . The objection ...
Pagina 65
... hear when we hear it , and that all the constituent sounds , which are called partials , are either at the pitch of the fundamental or at higher pitches . The most prominent of them , that is simply the loudest of them , the one making ...
... hear when we hear it , and that all the constituent sounds , which are called partials , are either at the pitch of the fundamental or at higher pitches . The most prominent of them , that is simply the loudest of them , the one making ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words