AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 137
... Hence their relation is itself related to all the other relations in the series , and , as concretely exhibited , becomes necessarily and for direct apprehension a constituent of a structure when any other such elements are selected and ...
... Hence their relation is itself related to all the other relations in the series , and , as concretely exhibited , becomes necessarily and for direct apprehension a constituent of a structure when any other such elements are selected and ...
Pagina 143
... Hence its emo- tional character , its feeling , that is , the way it feels to us , is no less genuinely " objective " than its colors or its sounds , its shapes , its hardness , its presented spread and size ; hence also no less ...
... Hence its emo- tional character , its feeling , that is , the way it feels to us , is no less genuinely " objective " than its colors or its sounds , its shapes , its hardness , its presented spread and size ; hence also no less ...
Pagina 176
... hence that science is a general possession . Esthetics , like all other knowledge , makes its generalizations on the as- sumption that human organisms in perceptual - affective response are not totally various , but largely alike ...
... hence that science is a general possession . Esthetics , like all other knowledge , makes its generalizations on the as- sumption that human organisms in perceptual - affective response are not totally various , but largely alike ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words