AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 30
Pagina 40
... indicated ways , that our scheme of them may represent the dis- cerned order of their actual nature and therefore be directed upon their actual ways of entering into structures as con- stituents . This is assuming two points about ...
... indicated ways , that our scheme of them may represent the dis- cerned order of their actual nature and therefore be directed upon their actual ways of entering into structures as con- stituents . This is assuming two points about ...
Pagina 107
... indicated divisions of time are relative ( a half - note half the time of a whole - note , a quarter - note half of a half - note , and so on ) , a quick measure is often indicated by writing a time signature as so many sixteenth ...
... indicated divisions of time are relative ( a half - note half the time of a whole - note , a quarter - note half of a half - note , and so on ) , a quick measure is often indicated by writing a time signature as so many sixteenth ...
Pagina 142
... indicated response or set of responses . The function of a vast deal of our ordinary linguistic discourse is nothing ... indicate the conditions and require- ments , consequent upon the facts or explanations that we are communicating ...
... indicated response or set of responses . The function of a vast deal of our ordinary linguistic discourse is nothing ... indicate the conditions and require- ments , consequent upon the facts or explanations that we are communicating ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words